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Classifieds » Movies, Music & TV » Star trek the next generation seasons 1-7 brand new sealed collectors set |
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Star trek the next generation seasons 1-7 brand new sealed collectors set |
21 July 2005 |
| This auction offers you the chance to own all seven seasons of Star Trek The Next Generation on DVD. These are Brand New in original packaging. Buy them now on AMAZON.COM for almost $600.00... Each Season retails for over $100.00 each! BUY HERE... SAVE HERE... BidPay or Money Orders only for this auction please.. If there is something else you prefer, please ask and I'll see what I can do SEASON 1: Warping into syndication in 1987, Star Trek: The Next Generation successfully launched its seven-season "continuing mission" of the starship Enterprise, and this classy DVD boxed set gathers the show's inaugural season in crisp picture clarity and dazzling 5.1-channel sound. A ratings leader with a sharp ensemble cast, this revamped Trek honored series creator Gene Roddenberry's original Trek concept, nurtured by returning veterans like producer Robert H. Justman and writers D.C. Fontana and David Gerrold. Several first-season episodes have original-series counterparts, and while the season was awkwardly inconsistent for all involved (including Roddenberry's heir apparent, producer Rick Berman), in retrospect the series began on remarkably solid footing. Patrick Stewart was perfect as Enterprise Captain Jean-Luc Picard, while Marina Sirtis struggled with a wretched hair bun and an ill-defined character, eventually blessing Counselor Troi with delicate nuance. Denise Crosby made a strong but underutilized impression as Security Chief Tasha Yar, and left the series before season's end, allowing writers to develop Klingon Lieutenant Worf (Michael Dorn) into a fan favorite. Brent Spiner transcended Spock comparisons with his triumphant portrayal of the android Lieutenant Commander Data; and while Jonathan Frakes was accepted as First Officer Will Riker, fans ultimately rejected Wil Wheaton as ensign Wesley Crusher, the teenaged son of the ship's doctor (Gates McFadden). Still, these 25 episodes laid a firm foundation for subsequent seasons, and highlights include the Raymond Chandleresque "holo- novel" of "The Big Goodbye," Data's backstory in "Datalore," the Klingon rituals of "Heart of Glory," and a Romulan encounter in "The Neutral Zone." The DVD supplements (all on the seventh disc) are good enough to make anyone wish for more: four featurettes recall myriad first-season challenges, filled with insider perspective and enough NextGen trivia to satiate all but the most obsessive Trekkers back on Earth. Looking back, it's easy to see why NextGen lived long and prospered. SEASON 2: To the delight of Star Trek fans everywhere, the stellar second season of The Next Generation (1988-89) belonged to Lieutenant Commander Data. As the Enterprise-D's resident android, Data (in the Emmy-worthy hands of Brent Spiner) would gain legal sentience in the season highlight "The Measure of a Man," and his increasingly "human" personality would refine itself in such diverse episodes as "Elementary, Dear Data" (Data as Sherlock Holmes), "The Outrageous Okona" (a misfire, but worthy from the Data perspective), and "Pen Pals." While Gates McFadden (Dr. Crusher) took a sabbatical of then-unknown duration (gracefully replaced by original Trek guest star Diana Muldaur as Dr. Pulaski), the remaining bridge crew would match Data's vitality: Riker grew a handsome beard and proved his command potential; Worf became richly nuanced in "The Icarus Factor," and met his match (and mate) in guest Suzie Plakson's fiercely Klingon sexpot K'Ehleyr; Wesley matured admirably, despite continuing fan disapproval; Betazed culture emerged as Troi locked horns with her eccentric mother, Lwaxana (Majel Barrett, in a recurring role); and La Forge made good on his promotion to chief engineer while Chief O'Brien (Colm Meaney) flawlessly rode on Geordi's coattails. In a crucial series development, Guinan (special guest Whoopi Goldberg) revealed a connection to Q in her helpful capacity as Ten-Forward's enigmatic host, while Q himself (John DeLancie) precipitated the Enterprise's first, fateful encounter with the Borg (in the suspenseful "Q Who?"). Through it all, Patrick Stewart brilliantly intensified all of Picard's renaissance qualities (especially in the dazzling "Time Squared"), exploring the captain's facets with equal measures of curiosity, fascination, amusement, courage, and philosophical insight. Despite its lame finale with the money-saving clip-show "Shades of Gray," season 2 charted a warp-nine course to the even better season 3. SEASON 3: Star Trek: The Next Generation's third year was an important development in syndicated television. After two shaky years, Paramount nonetheless decided the franchise still had plenty to do. Their confidence was bolstered by two significant factors. First, cast uncertainties were finally settled: Gates McFadden (Dr. Crusher) was back for good; Denise Crosby (Tasha Yar) regretted her first-year departure, and so contrived a return in the Emmy Award-winning "Yesterday's Enterprise"; and Whoopi Goldberg happily continued her actor's-scale contributions. Second, after the show had survived the previous year's writers' strike, new writing blood revitalized both characters and ideas: Data experienced fatherhood ("The Offspring"), Worf's Klingon heritage kick-started a huge story arc ("Sins of the Father"), and Picard got a saucy vacation ("Captain's Holiday"). There were memorable star cameos: John de Lancie played more mischief alongside Corbin Bernsen ("Déjà Q"); Dwight Schultz played truant in a gentle warning about addiction ("Hollow Pursuits"); and pleasing fans even more was Mark Lenard as Spock's dad ("Sarek"). The strongest evidence that TNG would continue for some time was the trend-setting cliffhanger finale. Fans and critics still agree that "The Best of Both Worlds" (properly introducing the Borg) was one of the greatest tricks ever pulled on TV to make audiences come back for more. SEASON 4: Season 4 of Star Trek: The Next Generation seemed like the year of family. After quickly resolving the breathtaking cliffhanger of "The Best of Both Worlds," the show took pains to show some of what the Federation was fighting for. We meet Picard's brother, Data's father, Tasha's sister, and Worf's adoptive human parents, plus an old flame with a surprise son in tow. The Klingon heritage subplot that begins here and builds to the cliffhanger finale ("Redemption") would continue to the show's end and through into Worf's reappearance in Deep Space Nine. The year also explored the implications of Data, Lwaxana Troi, Geordi, and Dr. Crusher being in love, while Miles O'Brien (given a first name at last) married Keiko. There were old friends revisited: the ubiquitous Q in a hilarious Robin Hood romp ("Qpid"), perennial screwup Reg Barclay ("Nth Degree"), and even the mysterious Traveler from season 1's "Where No One Has Gone Before" (played by Eric Menyuk, who was nearly cast as Data). There were new races introduced who would have an important bearing on Trek's destiny: the Cardassians and the Trill. Most of all, though, there were the one-off stories that impressed: "Clues," with its memory-loss mystery; "Night Terrors," with some genuine frights; and "Identity Crisis," with possibly the only time Trek technology really helped Geordi solve a puzzle. Then right at the end, reinforcing the year's familial theme, Denise Crosby returned as her own half-Romulan daughter! SEASON 5: The fifth season of Star Trek: The Next Generation saw some of the very best of all 178 shows. "Darmok" had the feel of a "classic Trek" episode, dealing with language as metaphor. "The First Duty" challenged Wesley Crusher's loyalties. The season closer "Time's Arrow" (which concluded in year 6) ranks as one of the best TNG cliffhangers, and treats fans to canon-changing story lines and tons of in-jokes. Best of all was the painfully melancholy "The Inner Light," in which Picard experiences an alternate lifetime. There were great guest stars--Paul Winfield ("Darmok"), Ashley Judd ("The Game"), Kelsey Grammar ("Cause and Effect"), Famke Janssen ("The Perfect Mate"), and Jerry Hardin ("Time's Arrow")--and as always there were contributions from Q, Lwaxana, and Barclay, too. After the confidence of the previous two years, however, year 5 often disappointed by not seeing a good idea through to the end. Denise Crosby was swept back under the carpet in the Klingon soap opener ("Redemption, Part II"). No one could make the prospect of Deep Space 9 attractive enough to Michelle Forbes, so her fantastic performance as Ensign Ro seems wasted in retrospect. And no one could reschedule Robin Williams to guest star, so we had Matt Frewer instead ("A Matter of Time"). Of all stories to use Leonard Nimoy in, "Unification" wallowed in Romulan politics instead of anything emotionally engaging. Gene Roddenberry wanted to introduce a gay character, but mere months after his death all we got was the trite "The Outcast." This was inarguably where the series weakened, without the Great Bird overseeing what was going on. Worst of all, his hard-as-nails bad guys the Borg were given a touchy-feely side in "I, Borg." Fans and critics now appreciate that the behind-the-scenes focus had shifted from The Next Generation to the next spinoff, and it would never fully return. SEASON 6: As the sixth season of Star Trek: The Next Generation went into production, everyone knew that attentions would soon be permanently divided by the debut of Deep Space Nine. Sure enough, that meant crossovers ("Birthright"), guest stars, and references back and forth. The sense of baton-passing drew the TNG family closer, however. Directorial debuts begun in season 5 allowed for repeat group-huddle ownership of several shows. Jonathan Frakes bettered "The Quality of Life" by "The Chase," which finally offered an explanation why most races in the Trek universe are humanoid with knobbly foreheads. Patrick Stewart crowbarred a Western into the franchise in "A Fistful of Datas." LeVar Burton introduced the far more exciting Riker clone Thomas in "Second Chances." But here we still find an inability to follow through a good idea, since it was intended for the clone Tom to replace the real Will. Barclay outstayed his welcome with a lackluster "Ship in a Bottle" (despite a hammy cameo from Stephanie Beacham) after he'd injected creepiness into "Realm of Fear." The same happened with Q and the painfully weak "True Q" contrasted by the philosophically challenging "Tapestry," in which Picard faced the decisions of his youth. Yet ultimately the year provided more memorable moments than either year 5 did or year 7 would. There was the fun of a pint-sized Starfleet in "Rascals," the shocking comment on political torture in "Chain of Command," the endless Matrix-like guessing game of reality in "Frame of Mind," and even a jokey genre nod often called "Die Hard Picard" instead of its official title, "Starship Mine." The two biggest attention-drawing moments came via stellar cameos. There was the bittersweet sight of James Doohan revisiting the original Enterprise bridge on "Relics," then a quick contribution by Stephen Hawking in the cliffhanger "Descent." Both were attempts at keeping TNG the connoisseur's Trek incarnation of choice. SEASON 7: The seventh and final season of Star Trek: The Next Generation will always remain a curiosity in TV sci-fi history. Despite the end being definite, despite Deep Space Nine taking over, despite knowing there'd be a movie six months after the series' end, and despite Babylon 5 starting that year with its predetermined story arc, there is nothing here to suggest things were coming to a close. Wesley finally gets dispatched ("Journey's End"), but everyone was waiting for that anyway. Some continuity was attempted: there's a sequel to season 1's "The Battle" ("Bloodlines"), Alexander follows the Klingon soap saga through ("Firstborn"), the Maquis and the Cardassians are mentioned several times, and there are final installments for Lwaxana Troi, Barclay, Lore, Guinan, and Ro Laren. None of this brings any form of resolution, however. The one-off story lines seem to throw out ideas that beg for development. "Force of Nature" suggests frequent high-warp travel is damaging the very fabric of space/time. "Parallels" has Worf experiencing multiple realities, including one in which the Borg won at Wolf 359. "Lower Decks" finally introduces some secondary crew from the more than a thousand supposedly supporting Picard and company. There are even hints at some romance at long last between Dr. Crusher and Picard as well as Worf and Troi. In the long run, even after terrific guest spots from Trek alumni Armin Shimerman and Robin Curtis, and from Paul Sorvino and Kirsten Dunst, there's one thing for which the final year is remembered: "All Good Things..." is a near-perfect denouement for the show. With terrific production values and FX, not to mention standout performances from all concerned, it was an amazing surprise to have Q suggest there'd been a story arc right from the get-go. If only this final script had been fully conceived earlier on, The Next Generation might not have been overshadowed by the glut of TV sci-fi that followed in its wake *Packaging and graphics on box or DVD may be different from image shown.
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